Disney Research Paper Topics
- Analyzing the Alice Comedies, Mickey Mouse and Oswald the Lucky Rabbit as an Introduction into Walt Disney’s Early Creative Years
- Analyzing Walt Disney’s Workplace Misogyny and 19th Century Influences
- Animation as a Tool for Propaganda in the Second World War
- Did Walt Disney Share and Encourage Racist Views?
- Dressing in the Workplace: A Walt Disney Perspective
- Exploring Walt Disney’s Anti-Communist Views in His Animated Works
- Exploring Walt Disney’s Creative Journey as a Glimpse into 18th Century Animation
- Exploring Walt Disney’s Personal Relationships and Charity Works
- Finding Truth in Walt Disney’s Alleged Anti-Semitic Views
- How the Locomotive Train Inspired the Disneyland of Today
- How Walt Disney Learnt the Importance of a Contract
- Recognizing Walt Disney’s Genius through the Oscars
- The Animated History of the Academy Awards in Relation to Cartoons
- The Creation of Disney Studios and Its Mainstream Appeal
- The Role of Animation in Driving the Red Scare Movement in the United States
- The Story behind the Motion Picture Alliance for the Preservation of American Ideals
- The Tragic Loss of Oswald the Lucky Rabbit and the Future it Spurned
- Tracing Walt Disney’s Footsteps in the Sands of Time
- Understanding the Motives behind Walt Disney’s War Propaganda
- Using Animation as a Training and Recruiting Medium: The Hollywood Story
Walt Disney Term paper
Disney Productions is one of the leading entertainment businesses, bringing tremendous profits not to mention the joy it brings many people. It has not always been this easy for Disney however. It took the mind of one man to bring it to what it is today, and that’s man’s name is Walt Disney. Walt Disney’s life was devoted to the arts and entertainment almost from birth. However, Walt’s fortunes and fame didn’t take form until his creation of Mickey Mouse. Walt Disney was born on December 5, 1901 and was the fourth child of Elias and Flora Disney. He was an extremely talented child, exhibiting tremendous creativity at such a young age. Walt began drawing pictures in the 1st grade and continued until the day he died. Another of his exceptional talents was acting. Walt relished each opportunity to perform on stage or in class. While in elementary school “on Lincoln”s Birthday every year until he graduated, Walt was hauled from class to class by the principal to give the Gettysburg Address.” (Fisher, 18) Walt got bored with school however and dropped out at the age of 16. He immediately got a job as a waiter on a train line and kept this job until the U.S. entered the war.
Walt had a great desire to join the army, but was rejected because he was to young. Since he still desired to have some role in the war he became a volunteer with the Red Cross. Within a week he was sent to the front and didn’t return for one to two years. When Walt returned from he war he told his father that he wanted to become an animator, but his father did not approve. Walt ignored his father’s advice and enrolled in art school. Walt attended art school for several months in both Missouri and Kansas City and then later found a job at an advertising firm in Kansas. There he met a talented artist named Ubbe Iwerks. Ubbe was a great animator and he and Walt became good friends. Walt and Ubbe worked all day for the advertising company, but at night they studied the art of animation and experimented with ways to make animation smoother by using light and a camera. Walt soon quit his job at the advertising firm because he was not satisfied with the work he was doing. He found a job in Kansas City at a Film Ad Company. Walt was quickly fired from this job and having nowhere else to go, he returned home.
Walt and his brother Roy decided to form their own business available jobs didn’t allow them the creative freedom they deserved. They found a little place to set up their own studio on Hyperion Ave. in Hollywood. If their business were successful, it would be the first studio in the city strictly for producing animation. Walt and Roy got their studio up and moving within a few weeks and hired several animators. They first produced a mini-series called Alice that played in the previews of movie theatres, but they knew it wouldn’t compare to Felix the Cat. Walt felt something was missing at their studio and realized a need for a master animator. Walt quickly called upon his old friend, Ubbe Iwerks. Ubbe was convinced and headed straight to Hollywood. With Walt creating stories, Ubbe producing spectacular animation and Roy taking care of finances they had a perfect formula.
Walt often worked late at night. “Mice gathered in my wastebasket when I worked late at night. I lifted them out and kept them in little cages on my desk. One of them was my particular friend.” (Disney qtd. in Fanning, 53) Walt first drew the mouse up late at night and named it “Mortimer,” but Roy was not fond of this name. However, Walt was too stubborn to change it. Roy talked to Walt”s wife, Lillian, and she eventually got him to change it after days of pleading. In fact, it was Lillian who ultimately named the mouse “Mickey.”
They first put Mickey in the short animation called, Plane Crazy, named after Lindbergh”s flight across the world. Immediately after that short feature Walt got the idea to combine sound with the animation. This was extremely difficult to do and it took Walt several attempts to find the perfect composer. Since they were extremely low on money Roy told Walt to forget sound for a while and try later, but Walt sound now. Steamboat Willie was their first success and with sound on its side the film attracted many audiences and Disney Productions had caught its first break.
In 1932 Walt thought the addition of sound was great, but with color it would be even better. Walt called Technicolor and asked to acquire the exclusive rights to put the Technicolor process into all of his films. Surprisingly Technicolor accepted, but wanted a large fee for exclusive rights. Walt explained the opportunity to Roy in the following way. “Why should we let a few dollars jeopardize our chances? I think this is Old Man Opportunity wrapping at our door. Let”s don”t let the jingle of a few pennies drown out his knock.” (Disney qtd. in Fanning, 57)
Walt and Roy decided to pay the fee then began producing Mickey Mouse films in colour. Disney Productions was the only animation business to produce colour films for two years and during that time earned huge profits. From the profits of the new colourful Mickey Mouse, Disney Productions built a new studio designed by Walt. It was an animators dream. Walt’s new animated studio was the perfect setting to set his latest idea, Snow White. It was the first animated movie to actually be a feature presentation. One night Walt sat all his animators down at a table and told them the story of Snow White. His animators found the story fascinating, but wondered how they were going to make an actual feature length movie with cartoons. When Walt was about half way done with the movie he realized that he did not have a distributor to release his film.
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